Dominican Popular MusicĦ From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and MestizajeĮcause hybridity-the mixture of two or more dissimilar elements- produces objects or people that are in between and out of place, it is often considered dangerous, inferior, or contaminating. Preface 1 Introduction: Hybridity, Identity, and Latino Popular MusicĢ Historical Perspectives on Latinos and the Latin Music Industryģ To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock ’n’ RollĤ Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitriesĥ New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Popular music-Social aspects-United States. Includes bibliographical references and index. Oye como va! : hybridity and identity in Latino popular music / Deborah Pacini Hernandez. Temple University Press 1601 North Broad Street Philadelphia PA 19122 Copyright © 2010 by Deborah Pacini Hernandez All rights reserved Published 2010 Printed in the United States of America The paper used in this publication meets the requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Pacini Hernandez, Deborah. Oye Como Va! Hybridity and Identity in Latino Popular Music
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